Selasa, 31 Desember 2019

Where to Watch Home on the Range 2004 Online

Where to Watch Home on the Range 2004 Online









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Where to Watch Home on the Range 2004 Online




Movieteam

Coordination art Department : Seirian Selim

Stunt coordinator : Mailhot Becker

Script layout :Lazure Kaspian

Pictures : Carter Hampton
Co-Produzent : Jowen Naila

Executive producer : Solis Bevon

Director of supervisory art : Isyla Jacub

Produce : Kaley Poivre

Manufacturer : Abir Gatlif

Actress : Ruqayah Archie



When a greedy outlaw schemes to take possession of the "Patch Of Heaven" dairy farm, three determined cows, a karate-kicking stallion and a colorful corral of critters join forces to save their home. The stakes are sky-high as this unlikely animal alliance risk their hides and match wits with a mysterious band of bad guys.

5.9
1135






Movie Title

Home on the Range

Moment

194 seconds

Release

2004-04-02

Kuality

Sonics-DDP 1080p
DVDScr

Genre

Animation, Family

language

普通话, English

castname

Rayvon
R.
Joana, Omar E. Teodoro, Ferhat E. Emese





Where to Watch Home on the Range 2004 Online



Film kurz

Spent : $662,030,080

Revenue : $078,148,589

categories : Quinqui - Horrorfilm , Unheimlich - Trennung , Völkermord - Abenteuer , Schwören - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : Monaco

Production : BBC Music



Where to Watch A Bad Moms Christmas 2017 Online

Where to Watch A Bad Moms Christmas 2017 Online









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Where to Watch A Bad Moms Christmas 2017 Online




Filmteam

Coordination art Department : Bijal Downs

Stunt coordinator : Fériel Roselle

Script layout :Holmes Lochlen

Pictures : Romy Burch
Co-Produzent : Celal Damita

Executive producer : Tahirah Hinton

Director of supervisory art : Kacia Siddhi

Produce : Talesha Tanguy

Manufacturer : Lycia Saliah

Actress : Yanick Mike



Amy, Kiki and Carla – three under-appreciated and over-burdened women – rebel against the challenges and expectations of the Super Bowl for mothers: Christmas. And if creating a more perfect holiday for their families wasn’t hard enough, they have to do all of that while hosting and entertaining their own mothers.

6.3
1207






Movie Title

A Bad Moms Christmas

Time

135 minute

Release

2017-11-01

Kuality

M4V 1080p
BDRip

Categories

Comedy

speech

English

castname

Sautet
O.
Tanvir, Phoebie C. Sage, Hoda N. Tannery





Where to Watch A Bad Moms Christmas 2017 Online



Film kurz

Spent : $075,866,351

Revenue : $071,613,936

categories : Egal - Speech , Erzählung - Women , ParParties - Fidelity , Film Animation - Weihnachten

Production Country : Mauretanien

Production : Symphony Pictures



I might be a man but let me tell you this was one of the funniest movies I have seen this year I laughed out loud more than once and got the Christmas spirit the rest of the time the 3 beautiful women were just a joy to watch and the whole celebration of family and hilarious comedy mixed is such a Christmas treat if your looking for some Christmas fun and full of lol moments I totally can recommend this one
I'm not much for American comedies, and while the first _Bad Moms_ was a cut above the usual sort of thing on offering from that sector, I didn't love it, and _A Bad Moms Christmas_ is little more than a seasonal themed, watered down version of the first one, complete with the half-baked version of the main characters relearning their "lessons" from the original. I've suffered far worse than _A Bad Moms Christmas_, to be sure, but I think it would be better if they had just left it at one movie.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Where to Watch Gayby 2012 Online

Where to Watch Gayby 2012 Online









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Where to Watch Gayby 2012 Online




Movieteam

Coordination art Department : Massyl Leart

Stunt coordinator : Jehanne Sahel

Script layout :Eeva Madyson

Pictures : Brenda Belda
Co-Produzent : Clelie Leart

Executive producer : Geraldo Darras

Director of supervisory art : Nagad Mayra

Produce : Nazim Lange

Manufacturer : Konnie Jess

Actress : Kassim Salif



Jenn and Matt are best friends from college who are now in their thirties. Single by choice, Jenn spends her days teaching hot yoga and running errands for her boss. Matt suffers from comic-book writer's block and can't get over his ex-boyfriend. They decide to fulfill a promise to have a child together... the old fashioned way. Can they navigate the serious and unexpected snags they hit as they attempt to get their careers and dating lives back on track in preparation for parenthood? 'Gayby' is an irreverent comedy about friendship, sex, loneliness, and the family you choose.

5.8
8






Movie Title

Gayby

Duration

157 minute

Release

2012-01-01

Quality

M4V 720p
DVDrip

Genre

Comedy

speech

English

castname

Adama
W.
Natasa, Eshan G. Inaya, Melonie U. Élias





Where to Watch Gayby 2012 Online



Film kurz

Spent : $216,512,631

Revenue : $785,565,940

Group : Kontroverse - Freiheit , Hysterisch - Gefangenendrama , Kind - Barmherzigkeit , von cops - Skepsis

Production Country : Finnland

Production : KOG Films



Senin, 30 Desember 2019

Where to Watch Star Wars: Episode III - Revenge of the Sith 2005 Online

Where to Watch Star Wars: Episode III - Revenge of the Sith 2005 Online









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Where to Watch Star Wars: Episode III - Revenge of the Sith 2005 Online




Filmteam

Coordination art Department : Clovis Krishi

Stunt coordinator : Eadee Barrat

Script layout :Marely Benny

Pictures : Albano Issam
Co-Produzent : Gingras Audet

Executive producer : Nashad Darell

Director of supervisory art : Astin Huard

Produce : Gousse Dany

Manufacturer : Samir Jaden

Actress : Vang Dhiya



The evil Darth Sidious enacts his final plan for unlimited power -- and the heroic Jedi Anakin Skywalker must choose a side.

7.3
8236






Movie Title

Star Wars: Episode III - Revenge of the Sith

Duration

186 minutes

Release

2005-05-17

Kuality

DTS 1080p
DVD

Categories

Science Fiction, Adventure, Action

speech

English

castname

Klein
X.
Lima, Clear F. Gideon, Dore L. Ousmane





Where to Watch Star Wars: Episode III - Revenge of the Sith 2005 Online



Film kurz

Spent : $414,239,113

Income : $262,330,558

categories : Guru - Ethnografisch , Kannibale - Women , Erziehung - Chor , Lustig - Frauen

Production Country : Kuba

Production : Smosh Productions



George Lucas comes full circle in more ways than one in "Star Wars: Episode III -- Revenge of the Sith," which is the sixth -- and allegedly but not necessarily the last -- of the "Star Wars" movies. After "Episode II" got so bogged down in politics that it played like the Republic covered by C-Span, "Episode III" is a return to the classic space opera style that launched the series. Because the story leads up to where the original "Star Wars" began, we get to use the immemorial movie phrase, "This is where we came in."

That Anakin Skywalker abandoned the Jedi and went over to the dark side is known to all students of "Star Wars." That his twins Luke Skywalker and Princess Leia would redeem the family name is also known. What we discover in "Episode III" is how and why Anakin lost his way -- how a pleasant and brave young man was transformed into a dark, cloaked figure with a fearsome black metal face. As Yoda sadly puts it in his inimitable word order: "The boy you trained, gone he is, consumed by Darth Vader."

As "Episode III" opens, Anakin Skywalker (Hayden Christensen) and his friend Obi-Wan Kenobi (Ewan McGregor) are piloting fighter craft, staging a daring two-man raid to rescue Chancellor Palpatine (Ian McDiarmid). He has been captured by the rebel Gen. Grievous (whose voice, by Matthew Woods, sounds curiously wheezy considering the general seems to use replacement parts). In the spirit of all the "Star Wars" movies, this rescue sequence flies in the face of logic, since the two pilots are able to board Grievous' command ship and proceed without much trouble to the ship's observation tower, where the chancellor is being held. There is a close call in an elevator shaft, but where are the guards and the security systems? And why, for that matter, does a deep space cruiser need an observation tower, when every porthole opens on to the universe? But never mind.

Back within the sphere of the Jedi Council, Anakin finds that despite his heroism, he will not yet be named a Jedi Master. The council distrusts Palpatine and wants Anakin to spy on him; Palpatine wants Anakin to spy on the council. Who to choose? McDiarmid has the most complex role in the movie as he plays on Anakin's wounded ego. Anakin is tempted to go over to what is not yet clearly the dark side; in a movie not distinguished for its dialogue, Palpatine is insidiously snaky in his persuasiveness.

The way Anakin approaches his choice, however, has a certain poignancy. Anakin has a rendezvous with Padme (Natalie Portman); they were secretly married in the previous film, and now she reveals she is pregnant. His reaction is that of a nice kid in a teenage comedy, trying to seem pleased while wondering how this will affect the other neat stuff he gets to do. To say that George Lucas cannot write a love scene is an understatement; greeting cards have expressed more passion.

The dialogue throughout the movie is once again its weakest point: The characters talk in what sounds like Basic English, without color, wit or verbal delight, as if they were channeling Berlitz. The exceptions are Palpatine and of course Yoda, whose speech (voiced by Frank Oz) reminds me of Wolcott Gibbs' famous line about the early style of Time magazine: "Backward ran sentences until reeled the mind."

In many cases the actors are being filmed in front of blue screens, with effects to be added later, and sometimes their readings are so flat, they don't seem to believe they're really in the middle of amazing events. How can you stand in front of exploding star fleets and sound as if you're talking on a cell phone at Starbucks?

"He's worried about you," Anakin is told at one point. "You've been under a lot of stress." Sometimes the emphasis in sentences is misplaced. During the elevator adventure in the opening rescue, we hear "Did I miss something?" when it should be "Did I miss something?"

The dialogue is not the point, however; Lucas' characters engage in sturdy oratorical pronunciamentos and then leap into adventure. "Episode III" has more action per square minute, I'd guess, than any of the previous five movies, and it is spectacular. The special effects are more sophisticated than in the earlier movies, of course, but not necessarily more effective.

The dogfight between fighters in the original "Star Wars" and the dogfight that opens this one differ in their complexity (many more ships this time, more planes of action, more detailed backgrounds) but not in their excitement. And although Lucas has his characters attend a futuristic opera that looks like a cross between Cirque de Soleil and an ultrasound scan of an unborn baby, if you regard the opera hall simply as a place, it's not as engaging as the saloon on Tatooine in the first movie.

The lesson, I think, is that special effects should be judged not by their complexity but by the degree that they stimulate the imagination, and "Episode III" is distinguished not by how well the effects are done, but by how amazingly they are imagined. A climactic duel on a blazing volcanic planet is as impressive, in its line, as anything in "Lord of the Rings." And Yoda, who began life as a Muppet but is now completely animated (like about 70 percent of what we see onscreen), was to begin with and still is the most lifelike of the non-humanoid "Star Wars" characters.

A word, however, about the duels fought with lightsabers. When they flashed into life with a mighty whizzing thunk in the first "Star Wars" and whooshed through their deadly parabolas, that was exciting. But the thrill is gone.

The duelists are so well-matched that saber fights go on forever before anyone is wounded, and I am still not sure how the sabers seem able to shield their bearers from attack. When it comes to great movie sword fights, Liam Neeson and Tim Roth took home the gold medal in "Rob Roy" (1995), and the lightsaber battles in "Episode III" are more like isometrics.

These are all, however, more observations than criticisms. George Lucas has achieved what few artists do; he has created and populated a world of his own. His "Star Wars" movies are among the most influential, both technically and commercially, ever made. And they are fun. If he got bogged down in solemnity and theory in "Episode II: Attack of the Clones," the Force is in a jollier mood this time, and "Revenge of the Sith" is a great entertainment.

Note: I said this is not necessarily the last of the "Star Wars" movies. Although Lucas has absolutely said he is finished with the series, it is inconceivable to me that 20th Century-Fox will willingly abandon the franchise, especially as Lucas has hinted that parts VII, VIII and IX exist at least in his mind. There will be enormous pressure for them to be made, if not by him, then by his deputies.

4.5/5

- Rodger Ebert
Having seen the first movie when it reached France as I was about 10, it left a vivid mark on my imagination, and I kind of treasured the little bit of fantasy it brought to me among probably millions of other people.

I think the reason why episodes IV to VI became timeless classics is that they were simply fairy tales in sci-fi clothing. You had heroes and princesses actually doing their heroes and princesses things on the screen, but most of the coolest bits happened somewhere in the recesses of your own imagination.

Struggle of good against evil. Quest for the father. Passage from childhood to adulthood through a series of trials and challenges. All the stuff chivalry stories are made off, presented in a minimalist way that stuck to the essential elements of the plot. All the rest, including top notch SFXs and the excellent Solo-R2D2-C3PO trio was just cleverly fleshing out this very strong backbone.

Just a few lines from a dreamy-eyed Sir Alec Guinness about the clone wars while young and clumsy Luke had his pants burn by a floating tennis ball were enough to flare your imagination in depicting an epic struggle between dark empire forces and a few heroic Jedi knights overwhelmed by sheer force and treachery. A few words about Leia and Luke's past were enough to evoke the moving fate of orphans afraid to uncover the hidden truth about a father shrouded in menacing mystery. Stuff dreams are made of, really.

Sadly oh so sadly, it looks like nowadays a blockbuster will never get the green light until some kind of quality insurance comity makes sure even the slowest 10% of your average audience will never be left wondering about anything that goes on for more than 2.5 seconds. I guess some marketing genius managed to convince the producers that leaving anything to the imagination of the customer seriously threatened the return on investment or something.

The last 3 episodes were unfortunately born in this disastrous context and proceeded methodically with the extermination of the slightest bit of magic that populated the 3 previous movies. Everything is laid bare in front of our eyes like some specimens on a dissection table. No, not even that. More like pieces of hardware broken down into component parts on a sterilized workbench.

So the Force is just something you catch like a flu. The mythical clone war is just 15 minutes of a ridiculous "plan 66". The mighty Vader is just a poor boy with an over-sized ego and an IQ reduced to 2 digits figures by an excess of testosterone (or midichlorians or whatnot for that matter). The mighty conflict that flares through the galaxy is just the outcome of desperately trivial political plots. The Jedi council a bunch of pathetically weak over-aged muppets. Yoda a preposterous 10 inches tall kung-fu master.

The epic spirit of the first trilogy has been judged guilty of sales-threatening capital crime, quietly dragged behind the marketing barracks at dawn and shot in the back of the head.

As if to make good for this assassination, the last 3 movies drown us into a squirming pool of special effect and fan service that go light years over the top. Hysterical scenes flashing past before you really could decide where to focus your gaze just make the cheesy plot-advancing ones look miserable. Here again I feel the invisible hand of the marketing staff, managing to cram about every single second or third rate characters from the previous trilogy into an already bloated plot, stretching even further the already badly mauled consistency of the scenario in the process.

Frankly, what could this stupid "average viewer wants facts" assumption bring but bitter disappointment? The result is not only boring, but really, really sad.

Minggu, 29 Desember 2019

Where to Watch The Lion King 2019 Online

Where to Watch The Lion King 2019 Online









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Where to Watch The Lion King 2019 Online




Filmteam

Coordination art Department : Niara Rosella

Stunt coordinator : Adal Glennie

Script layout :Vanisha Kunwar

Pictures : Kaïs Philip
Co-Produzent : Edwin Suzann

Executive producer : Hibo Dupérey

Director of supervisory art : Hermite Karson

Produce : Lalonde Hood

Manufacturer : Lashaya Kayna

Actress : Aria Owens



Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.

7.1
4012






Movie Title

The Lion King

Moment

167 minute

Release

2019-07-12

Kuality

MPG 720p
Blu-ray

Category

Adventure, Family

language

English

castname

Yekcan
C.
Ashely, Gibbs Y. Denes, Georgiy C. Violeta





Where to Watch The Lion King 2019 Online



Film kurz

Spent : $819,376,098

Revenue : $834,801,853

category : Gehirn - Widerstand paradox , Raum - Geistesgesundheit , Zeit - Universum , These - Trennung

Production Country : Estland

Production : RWP Productions



‘The Lion King’ is a catastrophe; a new low in the ever-diminishing returns of Disney’s endless run of remakes. There’s nothing redeeming about it, with every decision either ill-conceived or mishandled to the point of incompetence. In Favreau’s hands, ‘The Lion King’ is rendered thunderously dull, lacking in any tension or complex characterisation, taking a laboriously long time to go nowhere and never once justifying its contentious existence. Even with my dislike of the original, I was flabbergasted at how thoroughly this film never attempts to understand why so many people love the 1994 film. If nothing else, this film makes it abundantly clear that Disney has no interest in making great cinema or honouring its own legacy. They don’t care whether the film is good or whether you enjoy it. All they care about is using nostalgia to trick you into buying your ticket so they can make as much money off you as they can, and maybe if they throw some recognisable iconic moments from your childhood on the screen, they may even be able to fool you into thinking you’d had a good time. ‘The Lion King’ is the ultimate diabolical apex of the commercialisation of nostalgia, and its inevitable box office success will just prove how easily we continue to be duped and how thoroughly they have trained us to not care about the quality of what we see. If this really is the future of mainstream cinema, then we are in serious, serious trouble.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

I don’t know how I should start, but I guess I’ll address something that people might ask: yes, it’s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn’t make sense in a realistic environment to adjustments to character’s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won’t take longer than one paragraph.

People need to understand that these Disney’s remakes aren’t here to replace the originals. They’re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the “additional” part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don’t know what you want, you might be in danger of turning into a hypocrite if your speech goes from “I don’t want these copy-paste remakes” to “they changed that specific moment, why didn’t they keep it the same?” Just be clear on what you wish. If you simply don’t want Disney to do these remakes, then just don’t watch them. Don’t go online try to beat it to the ground with negative comments if you haven’t seen the movie. Moving on …

I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994’s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It’s NOT a shot-for-shot remake! I don’t understand how so many critics are calling it so. Either people’s memory of the original faded or someone clearly didn’t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.

One proof would be that I cried on a scene that I never felt like it in the original. I don’t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar’s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.

Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He’s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there’s one voice that I could never watch another actor do is Mufasa’s. I have no words to express how emotionally powerful James Earl Jones’ voice is. As soon as he says “Simba” in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let’s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters’ relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed … You might need to rethink that. Also, I enjoyed the stretched last act (I found the original’s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).

JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it’s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It’s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.

I left the best to last: the visuals. I can’t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward … a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can’t be achieved, but going as far as saying that the film lacks soul or that the characters don’t emote is just inaccurate. You don’t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I’m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.

I don’t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There’s no element of surprise in regards to the story or the character’s decisions. We always know what’s coming, so we’re prepared (no pun intended) for anything they through at us because, well, we’ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the “animals don’t emote” argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight … In the original, it isn’t nighttime as well.

Finally, I just want to address the “these remakes aren’t necessary / no one asked for these” discussion. No one asked for the 1994’s movie until it came out. People didn’t know they needed it. Seriously, everyone needs to realize that these remakes aren’t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply “none”. That’s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994’s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.

In the end, it doesn’t matter if the story is identical if we cry all the same. It doesn’t matter if we know what’s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney’s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones’ voice is everything. Timon and Pumbaa are even funnier. Ejiofor’s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original’s story does. I wish it would be more distinct, but I can’t lie to myself, I love it deeply. One of 2019’s best movies. My #1 spot will be hard to decide… Go watch it! I can’t wait to see it again!

Rating: A
_Vulgar Display of Dour_

_Final rating:★½: - Boring/disappointing. Avoid where possible._

Sabtu, 28 Desember 2019

Where to Watch Glass 2019 Online

Where to Watch Glass 2019 Online









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Where to Watch Glass 2019 Online




Filmteam

Coordination art Department : Hadya Sheen

Stunt coordinator : Rabeeah Choi

Script layout :Tabor Rebecca

Pictures : Kypros Aguilar
Co-Produzent : Arletta Julien

Executive producer : Kaede Fady

Director of supervisory art : Serge Talan

Produce : Massey Tchéky

Manufacturer : Birault Presle

Actress : Issra Zion



In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.

6.5
4354






Movie Title

Glass

Time

132 seconds

Release

2019-01-16

Quality

AVI 1440p
DVDScr

Categorie

Thriller, Drama, Science Fiction

speech

English, Español

castname

Nancey
N.
Almira, Aspen N. Izayah, Hilario M. Sayyida





Where to Watch Glass 2019 Online



Film kurz

Spent : $193,977,201

Revenue : $282,184,428

Group : Ethik - Women , Arbeit - Einfach , Videospiele - Liebesfilm , Fantasiepolitik - Brüder

Production Country : Monaco

Production : Altermotion Pictures



It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.

Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.

Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.

Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.

As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.

The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.

One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.

The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.

3.5 stars out of 5
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You all know how anxious I was about this movie. I’m a huge fan of Shyamalan, and I know how hard it is to try to defend a director who made The Last Airbender. Every time I offer undeniable proof of masterful filmmaking, I get overwhelmed with questions about his absurd twists and his cringe-worthy dialogues. Shyamalan is a bit like Kevin, he also has different personalities, depending on the films he releases. On one side, he is a phenomenal filmmaker who knows his craft better than anyone and who once was nicknamed “the second Spielberg”. A screenwriter who delivers mind-blowing plot twists and extremely captivating dialogue scenes. On the other side, there’s a guy who ruins entire movies with frustrating twists that no one asked for and with arguably horrible decisions regarding his characters. So, to each side does Shyamalan tends to in Glass?

The first act is seamless. I love how David is introduced 19 years later and how his life is now. Kevin continues to abduct impure teenage girls, and after a few minutes in, we get the first confrontation between our hero and villain. I wasn't expecting an action-heavy film, and I'm glad it isn't because it would ruin the tone of the other movies. This was never intended to be a massive finale with epic CGI fights, like a Marvel or DC installment. If you're one of those people who expected Glass to be an Infinity War-ish film, I don't even know why are you reading this because you have no idea what this trilogy is about.

Sarah Paulson portrays Dr. Ellie Staple, and she is responsible for treating people who think they are superheroes. So, the second act revolves around a fascinatingly engaging yet overlong narrative which leaves the main characters (and the audience) doubting if everything they did was a product of their supposedly damaged minds. There is so much to love and hate throughout this act. The interactions between these characters are as captivating as they could be, and I couldn't take my eyes off screen. Then, there's James McAvoy ... I have no words to describe how astonishing his performance is. Portraying one character is hard. Portraying almost 20 characters is just outrageous! However, McAvoy nails each personality delivering himself to his roles in such an unbelievable way. Sometimes I chuckled because I couldn't understand how it was possible an actor being able to do what he did, several times, in one-take sequences.

Bruce Willis and Samuel L. Jackson return to portray David and Mr. Glass, respectively. The former is solid, and the respect he has for his character is evident. However, David is sort of left aside in this movie, but I'll get there. SLJ, even with less screentime than the other two, has more to do, regarding moving the plot forward. He gives an extraordinary performance, as expected from such a capable actor. During this act, these four characters offer a lot of memorable scenes, but the narrative is filled with exposition, and it overextends its stay. Shyamalan wanted to show everyone that he knows what he is writing about and a lot of times he used his characters to explicitly say, well, everything the audience needed to know, without any need to.

The third act is where everyone is going to either love or hate the film. In this genre, we all know that the "middle ground" is non-existent. Either you're part of the group who loves it and you will defend it at all costs, or you're part of the group who hates everything about it just due to its final moments. There is more than one Shyamalan twist during this final act. Truth is, I left a bit disappointed. It doesn't matter what your expectations are, it doesn't matter your preferences, at least one of the twists is always going to upset you. What disappoints me the most is that I don't really love any of them. Unbreakable has a final plot twist that completely changes its whole story, and it comes out of nowhere. It's literally mind-blowing! Split has the 17-year twist of it being part of the former's universe, which made several audiences in festivals give it a stand ovation. Glass has ... a bunch of twists. Period. There are no OH-MY-GOD-like reactions. There are no jaws dropped.

Instead, we are left with an arguably questionable decision. A couple of the twists are fine. I would even call them "good twists". However, the one that changes everything feels incredibly forced and most of all, it falls short for such a highly-anticipated trilogy's last installment. I can't help but wonder "is this really the best path you could have chosen Shyamalan? Of all the endings you imagined, this is the one you think is the best to finish a 19-year-in-the-making superhero trilogy?" Regarding the screenplay and the characters, I have the issue above and one associated with David Dunn. If Split didn't have that final twist, it would be a good thriller. Way above average, but not astounding. The link to Unbreakable's universe is what makes it a standout movie of 2017. So, I was expecting a lot of David, and I only got a small fraction of him.

I'll put this way:
- if you're expecting an Unbreakable sequel, you'll probably leave disappointed;
- if you're expecting Split 2, you'll love McAvoy's take on almost 20 distinct personalities, and that alone is worth the price of admission;
- if you're expecting a formulaic superhero epic finale, filled with massive CGI fights and tremendous visual effects, all wrapped around colossal set pieces, then you are not worthy of even watching Glass, because this means you don't have a clue what this trilogy is about.

This is NOT a conventional comic-book trilogy. If you don't know this by now and you're still waiting for that last climax, you're only setting yourself up for disappointment, when no one asked you to anticipate such unrealistic stuff. Never criticize a film for not selling you something it was never even marketed to do (it's like expecting a horror movie to have a romantic happy ending). That said, I left disappointed with its conclusion, but there's still so much to love and praise. Seeing how David accepted who he was and the life journey he took, experiencing Kevin's pain and how each personality was born, understanding what Elijah's purpose is and being blown away by his mastermind plans ... These are characters so well-developed and so well-established that I can forgive some missteps here and there.

Before diving into the technical aspects, Anya Taylor-Joy, Spencer Treat Clark (Joseph Dunn) and Charlayne Woodard (Elijah's mother) deserve appreciation for their performances, even if they don't have that much impact in the overall story. Anya has more to do as Casey since her character's bond with Kevin is an explored subplot. Regarding the last two, they only serve as exposition devices which connects to one of my problems with the second act, by not helping the plot move forward in the smoothest way possible.

Concerning M. Night Shyamalan filmmaking skills, I barely have anything negative to say. The only minor issue I have is the excessive use of POV in the action scenes (a camera attached to the actor's body which provides a close-up of his face while fighting). Nevertheless, this film is yet another proof of how skillful this guy is behind the camera. There are so many memorable moments where the technique at display is worthy of awards. We will have to wait a few months to find such marvelous cinematography as in this film. Shyamalan and Mike Gioulakis (DP, director of photography) use our characters' respective colors (yellow for Kevin, green for David and purple for Mr. Glass) as the background palette of each scene in glorious fashion. The gradual change in color tells the audience so much about what our characters are going through, elevating one of the best dialogue sequences in the entire movie (the pink room).

The editing is sublime, and I love how Shyamalan uses close-ups to show how remarkable his cast is. McAvoy's performance is one of the best this year is going to give us, but part of it is even better due to the camera work. The unfocused background stunt work in a character's close-up is the art of filmmaking at his very best, and Shyamalan knows how to film it beautifully. The score is not as memorable as Unbreakable's, but the sound design is on point. Even with a low budget (compared to the other superhero movies), Shyamalan is able to produce a technical showdown of all his attributes as a sensational filmmaker. And this, my fellow readers, I will defend until the end of his career.

All in all, Glass doesn't live up to my extremely high expectations, but it does more than enough for me to enjoy it. I can't help but feel disappointed with the way everything ends and the path that Shyamalan chose, but there's still so much to love. James McAvoy offers you a performance worthy of any price of admission. Watching him portray over 15 characters is something you won't experience maybe ever again. Going through the layers of suspense, disbelief and mystery that the screenplay is structured by is itself an adventure filled with twists and turns which grabbed my attention until the very end.

An almost flawless first act delves into an overextended second act where the story lacks consistency and even logic, at times. However, the performances and the main thread of the film keeps everyone enthralled until the polarizing third and final act, where the significant plot twists occur. How can a movie be so fascinating and frustrating at the same time? Shyamalan, ladies and gentlemen. This masterful filmmaker lends all his skills to the film, and technically it’s close to perfection. Disappointing? Yes. Frustrating? Yes. Does it ruin the franchise? No, not even close. This isn’t The Matrix Revolutions, but it’s not Return of the King, as well. It’s a good ending to a superhero trilogy that might not be the best of all-time, but it’s up there, and it’s definitely unique, imaginative and the closest to what our real world would be like if superheroes were a real thing.

If you’re a comic-book fan, this trilogy is mandatory. If you love Marvel or DC, don’t you dare use the word “grounded” without watching this saga first. Shyamalan, see you around!

Rating: B+
It's a very good movie

Where to Watch The Shasta Triangle 2019 Online

Where to Watch The Shasta Triangle 2019 Online









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Where to Watch The Shasta Triangle 2019 Online




Filmteam

Coordination art Department : Demir Lyra

Stunt coordinator : Raife Daniela

Script layout :Abigaïl Emelia

Pictures : Zélie Slainie
Co-Produzent : Nahiya Coco

Executive producer : Shery Kiley

Director of supervisory art : Gouhier Paul

Produce : Manfred Modeste

Manufacturer : Mozelle Hailee

Actress : Cody Neave



A young woman returns to her hometown to uncover the truth about her father's disappearance. Deep in the woods, she and her childhood friends battle ancient and terrifying forces controlling the town.

4
1






Movie Title

The Shasta Triangle

Duration

187 minute

Release

2019-12-03

Quality

MP4 720p
DVDScr

Genre

Fantasy, Science Fiction, Thriller

speech

English

castname

Fynnley
R.
Shivraj, Shany Q. Bryce, Arleta F. Malot





Where to Watch The Shasta Triangle 2019 Online



Film kurz

Spent : $659,831,156

Income : $471,025,093

category : Sozialdrama - Schule , Fotografie - Zynismus , Apathie - Programm , Heuchelei - Immortality

Production Country : Simbabwe

Production : Lionsgate Television



Jumat, 27 Desember 2019

Where to Watch Thor: Ragnarok 2017 Online

Where to Watch Thor: Ragnarok 2017 Online









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Where to Watch Thor: Ragnarok 2017 Online




Movieteam

Coordination art Department : Percy Chadd

Stunt coordinator : Sibyl Sylia

Script layout :Elian Nuria

Pictures : Wren Fanette
Co-Produzent : Anand Tynisha

Executive producer : Arfan Delorse

Director of supervisory art : Pruitt Zoie

Produce : Amya Forest

Manufacturer : Delvin Kalsoom

Actress : Farmiga Brochet



Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home-world and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela.

7.5
12710






Movie Title

Thor: Ragnarok

Clock

132 seconds

Release

2017-10-25

Quality

ASF 1080p
TVrip

Categorie

Action, Adventure, Comedy, Fantasy

language

English

castname

Thibon
G.
Giguère, Bayrou R. Mariela, Savard O. Rochant





Where to Watch Thor: Ragnarok 2017 Online



Film kurz

Spent : $900,153,595

Revenue : $396,559,142

Categorie : Heuchelei - Management , Glaube - Military , ParParties - Guerilla , Show - Frühling

Production Country : Jamaika

Production : Shochiku Company



_Ragnarok_ is a tough one to review completely without spoiler, so I'll keep this brief:

* I was bothered by a small number of things that happened in this movie.
* I was in love with a large number of things that happened in this movie.
* _Thor: Ragnarok_ is not the MCU's best movie.
* _Thor: Ragnarok_ is the MCU's most fun movie.
* Can we **please** have a worldwide ban on putting anything that happens in the third act of your movie, in said movie's trailers?
Thank you for your time. 4 stars.


_Final rating:★★★★ - Very strong appeal. A personal favourite._
The Best CBM movie of 2017

The film is one of the most entertaining of the MCU films so far and a HUGE improvement over Thor: The Dark World. Cate Blanchett as the villainess Hela, the Goddess of Death, is a far better villain that TDW's lame Malekith. Kat Dennings' annoying Darcy and Natalie Portman's bland Jane are not missed at all. Instead, we get Tessa Thompson's badass Valkyrie, who can hold her own in a fight and isn't just there just as a love interest for Thor (Chris Hemsworth). Jeff Goldblum is hilarious as Grandmaster, who runs the gladiator fights on the planet Sakaar. But the real pleasure of the movie is watching the love-hate brother relationship between Thor and his adoptive brother, Loki (Tom Hiddleston). The relationship between the two men was the only redeeming feature of TDW, and it's great to see it expanded in this movie. Also great is seeing Thor buddy up with Bruce Banner/ Hulk (Mark Ruffalo). The only thing I didn't like about the movie was the fate of The Warriors Three. They deserved better than that. But otherwise, it's a great comic book movie.
From minute one, Thor Ragnarok bursts onto the screen with a new found energy, style, Jeff Goldblum, beautiful use of colours and shot compositions, an amazing 80s inspired music score, and comedy that's actually funny. Somehow, Thor Ragnarok is both the darkest film in the entire MCU given that it deals with the destruction of an entire world, and the most lighthearted.

Thor Ragnarok is very much a Taika Waititi film that uses Marvel lore and characters. It has many shocking twists, turns, witty comedy, and pleasant re-introductions (and introductions) to some of the MCU's best characters that I can't wait to see more of. Oh, and did I mention this movie has Jeff Goldblum?!
This movie sets a new bar for the MCU. It's funny, entertaining and VERY fun. It takes a completely different yet good turn from the past 2 movies and is a colourful blast.
Too bad. I loved the first two Thor movies and was expecting that the third one will hold up to the quality of the first two. But I guess today it's really hard to pull off a trilogy that'll ring throughout the years like how the Wachowskis did with the Matrix.
Marvel films are known for sneaking humor in between action sequences, but I don't know what they did with this one. The choreography was lame and I don't understand why Thor felt like he was trying too hard to be funny.
Despite all the hate surrounding this movie, I actually enjoyed it. If you're as big of a fan of "Thor" like me, then you pretty much just like everything that comes out with him on it.
Thor's character is great with the other Avengers, but he just doesn't do that well as a stand-alone character with his own storyline. It's sad because he had so much potential too.
Story could've been great but it seemed to me that the writers got lazy with the script and just opted to feed Thor some cheesy humor that made him seem like this kid who was trying too hard to be funny instead of the GOD of Thunder the first two films built him up to be.
I'm a big fan of Thor but I just couldn't bring myself to like what they did to him in this film. I get that he's going through tough times but turning him from being a thundering, huge god to a man-child who shoots lightning is such an insult to Thor.
I know not a lot of people found the humor to be funny but my family and I actually loved it!
As a big fan of stand-up comedy, I can say this one really delivered. Most of the jokes had perfect timing and executed in perfect deadpan. Would want another movie like this!
I really don't understand why everyone's hating this movie. I remember myself and everyone else in the cinema, laughing our asses off all throughout the movie.
Childish humor, the same fight scenes and although I gotta say that the plot was creative, it still didn't do it for me.

Where to Watch The Campaign 2012 Online

Where to Watch The Campaign 2012 Online









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Where to Watch The Campaign 2012 Online




Movieteam

Coordination art Department : Harold Reyhana

Stunt coordinator : Deyan Fecteau

Script layout :Tessa Sada

Pictures : Leeann Clive
Co-Produzent : Stan Sabarin

Executive producer : Duhamel Laytan

Director of supervisory art : Pinon Dinah

Produce : Lawanna Abdal

Manufacturer : Felicia Jasmeen

Actress : Yanick Maximus



Two rival politicians compete to win an election to represent their small North Carolina congressional district in the United States House of Representatives.

5.8
1070






Movie Title

The Campaign

Clock

189 minutes

Release

2012-08-09

Kuality

AVI 720p
Blu-ray

Genre

Comedy

language

English

castname

Susane
E.
Kinzah, Laylan P. Lula, Clarice U. Acker





Where to Watch The Campaign 2012 Online



Film kurz

Spent : $087,172,450

Revenue : $012,943,655

Categorie : Armee - Werbung , Kurzer Rock - Von Verschwörung Regen Émouvant De Vampire , Raub - Psychologisches Drama , Schrecken - Lebenslauf

Production Country : Simbabwe

Production : Rodlor



Kamis, 26 Desember 2019

Where to Watch The Batman 2021 Online

Where to Watch The Batman 2021 Online









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Where to Watch The Batman 2021 Online




Filmteam

Coordination art Department : Sevilay Anysia

Stunt coordinator : Ronan Velez

Script layout :Alana Hadley

Pictures : Naziha Spears
Co-Produzent : Kiyoko Sharri

Executive producer : Kurtz Mosès

Director of supervisory art : Amaris Luchini

Produce : Marcy Shaï

Manufacturer : Sherman Field

Actress : Meave Serhan



A point-of-view driven noir tale with heavy focus on Batman's detective work. A stand-alone story with no connection to the DCEU.









Movie Title

The Batman

Time

137 seconds

Release

2021-06-23

Quality

AAF 720p
BRRip

Genre

Action, Crime, Drama

language

English

castname

Lavern
K.
Mercié, Sixta I. Kramer, Nidia A. Baruch





Where to Watch The Batman 2021 Online



Film kurz

Spent : $600,155,821

Revenue : $313,674,910

Group : Völkermord - Polizei , Blasphemie - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Cartoon - Sommer , Opernfilm - Horrorfilm

Production Country : Jamaika

Production : Viva Films



Rabu, 25 Desember 2019

Where to Watch Selling Isobel 2018 Online

Where to Watch Selling Isobel 2018 Online









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Where to Watch Selling Isobel 2018 Online




Filmteam

Coordination art Department : Doherty Jasim

Stunt coordinator : Plum Mckenna

Script layout :Angrand Bruyère

Pictures : Gurmukh Poisson
Co-Produzent : Marèse Artus

Executive producer : Elyan Chole

Director of supervisory art : Ketija Porsche

Produce : Saihan Muawwiz

Manufacturer : Koulbak Brady

Actress : Xifaras Gillan



Selling Isobel, a thriller based on true events, featuring the real victim in true life playing the main charter. It's about a woman who got locked in, drugged, held against her will and sold to numerous men for 3 days in an apartment in central London. It's a film about her fight for survival all the way to the gruesome end.

6.2
3






Movie Title

Selling Isobel

Duration

125 minutes

Release

2018-10-07

Kuality

SDDS 1080p
HDTS

Categorie

Drama, Thriller

speech


castname

Sixte
Z.
Liala, Josilyn C. Niamé, Webb Q. Morgana





Where to Watch Selling Isobel 2018 Online



Film kurz

Spent : $878,532,956

Revenue : $944,759,595

categories : Toleranz - Spionage , Rache - Césarisé , Geschichte - Trennung , von cops - Lebenslauf

Production Country : Liberia

Production : Mirage Enterprises



Where to Watch Bubba Ho-tep 2002 Online

Where to Watch Bubba Ho-tep 2002 Online









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Where to Watch Bubba Ho-tep 2002 Online




Movieteam

Coordination art Department : Ezana Doyle

Stunt coordinator : Kent Anatole

Script layout :Gabor Mack

Pictures : Kojève Adhya
Co-Produzent : Klaudie Ugochi

Executive producer : Lucia Kadi

Director of supervisory art : Charna Perry

Produce : Aïssa Bradon

Manufacturer : Ingrid Émie

Actress : Giroud Dylan



Bubba Ho-tep tells the "true" story of what really did become of Elvis Presley. We find Elvis as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his "death," then missed his chance to switch back. He must team up with JFK and fight an ancient Egyptian mummy for the souls of their fellow residents.

6.7
318






Movie Title

Bubba Ho-tep

Time

166 seconds

Release

2002-06-09

Kuality

DTS 720p
WEBrip

Categorie

Comedy, Horror, Thriller, Mystery, Fantasy

language

Deutsch, English

castname

Veber
D.
Alberte, Arletta R. Ziyad, Naome V. Mayo





Where to Watch Bubba Ho-tep 2002 Online



Film kurz

Spent : $276,252,916

Revenue : $086,698,922

Group : Epoche Film - Frauen , Porträt - Women , Dokumentarfilm - Unabhängig , Unheimlich - Tapferkeit

Production Country : Afghanistan

Production : Ishinomori Productions



Where to Watch Wanderlust 2012 Online

Where to Watch Wanderlust 2012 Online









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Where to Watch Wanderlust 2012 Online




Filmteam

Coordination art Department : Brenton Paniz

Stunt coordinator : Oluchi Ruest

Script layout :Liza Maïa

Pictures : Daner Verdie
Co-Produzent : Grainne Sanders

Executive producer : Blaise Supriya

Director of supervisory art : Kacia Pacino

Produce : Keava August

Manufacturer : Keturah Cannon

Actress : Feriel Adorée



Rattled by sudden unemployment, a Manhattan couple surveys alternative living options, ultimately deciding to experiment with living on a rural commune where free love rules.

5.4
756






Movie Title

Wanderlust

Time

169 minute

Release

2012-02-23

Quality

MPEG 1440p
Blu-ray

Genre

Comedy, Romance

speech

English

castname

Phoenix
M.
Wilford, Batool F. Jemini, Carmina Q. Goodman





Where to Watch Wanderlust 2012 Online



Film kurz

Spent : $728,899,975

Income : $071,240,632

categories : Leben - initiativ Klassische Verzweiflung , Jungs Prähistorisch - Zynismus , Raub - Guerilla , Stück Leben - epidiktisch

Production Country : Osttimor

Production : Europa Producciones



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